Artisan Enterprise: The New Startup Economy

On September 10, 2015 at the U.S. Department of State, Secretary of State John Kerry shared remarks on the power and potential of artisan enterprise. Read his full remarks below, and hear the Secretary speak here

SECRETARY KERRY: Thank you very much. Thank you. Good afternoon. Thank you so much, everybody. Thank you so much. This is my apple I just got. (Laughter.) This is a souvenir of Kazakhstan – of Almaty, to be precise – and it’s woven, actually, with the local wool. And these are giant apples which apparently Almaty produces, and coming from New England, where our fall harvesting of apples is critical, I’m going to show them this and say, “Get your act together, guys.” (Laughter.) It’s beautiful.

Thank you, Ambassador Russell. Thank you very, very much for your tremendous leadership. Cathy’s doing just a brilliant job as the ambassador-at-large for global women’s issues. And obviously everybody here – and I can tell looking in the audience I don’t need to sell you on it, but this – our hopes for the future, whether it’s environmentally or politically or economically, socially, from the standpoint of security – it depends on the growing empowerment and the equitable treatment of women. And that is not an argument; it’s a simple statement of fact. It’s a reality that without empowerment, progress is really impossible. And with empowerment, progress is as inevitable or as near inevitable as anything can be.

We’ve seen that again and again in country after country on issue after issue: that where women are empowered, it just makes a huge difference – the quality of life to the capacity of children to have opportunity to the ability of a country to compete and – very important in many places – to the ability of people to be able to make peace and to find alternatives to simply blowing each other up.

So I am very delighted to be here to participate in this special kind of forum, which is really symbolized by this apple – a forum on artisan enterprise and what it can mean with respect to the new startup economy. It defines the new startup economy. And I see from the program that you’ve already heard from a terrific array of interesting people, both artisans as well as corporate entities and others who have expertise in this, so I’m going to keep my own remarks pretty tailored and brief.

But I just want to offer my profound and continuing commitment – my encouragement, particularly as we prepare for the UN General Assembly this fall and the adoption of the post-2015 Millennium Development Goals. Since the original goals were established – and it wasn’t so long ago; it was only the year 2000 – we have achieved absolutely measurable and frankly striking progress in reducing the share of the world’s people who live in extreme poverty. We’ve also seen remarkable progress in expanding access to water, making primary education possible for women and girls, and we’ve changed many places as a result of it.

Cathy mentioned in her introduction my introduction to those 10 extraordinary women in Afghanistan, and they have changed opportunities for women with their courage, because it isn’t easy to do what they did and to step into a world that had been so dominated exclusively by men and by tradition and culture and history. And to march in against all of that and say, “Here, I’m ready, and I’m going to participate and then make a success out of it” takes more than brain power. It takes heart and gut power, and I salute it.

Progress always depends on a range of factors that reinforce one another, and they are factors that include good governance – imperative – quality education, environmental awareness, investments in health, civil security, the full participation of women in the political and the economic life of the community. And subtract one element of that and you can begin to compound the hurdles and slow down the progress which is so critical in a world where we are seeing so many more people – and young people particularly – seeking opportunity because it’s a world that is just connected everywhere, all the time, everybody connected to everything. And that raises not just hopes and aspirations, but obviously with that, it raises expectations. And that is always politically a management challenge. If you subtract any of that – any one of those items – and that list becomes more complicated too.

So we’ve also learned that development is everybody’s business. It’s not a job for government; it’s not something you source – you outsource, that you farm out to some expert, because if people aren’t invested in it and people aren’t making decisions about their own lives, you never have the kind of determination of people being all-in in a way that makes a difference. And that’s what it takes. You have to have every single level enriched by the contributions of regional entities, the private sector, independent donors, angel investors, private voluntary groups, civil society – they all have to come together, and in the end everybody has to be committed to this kind of endeavor.

We need more of that, by the way, in many more places. I see places of great hope as I travel around the world, but I also see too many places of enormous challenge. And the truth is that as we see society after society now mounting up where you have 50 percent, and in some cases 60 percent, of a country under the age of 35 or 30, and 50 percent of the country many places under the age of 21, and 40 percent under the age of 18 – that’s our challenge, folks, every single one of us. And so it is very, very special for me to be able to be here with you who are all-in on this.

The Alliance for Artisan Enterprise reflects exactly the kind of innovative thinking that we need to engage in if we’re going to expand this playing field as rapidly as we need to if we’re going to be able to implement our very ambitious post-2015 development goals and agenda. And the Alliance is the epitome of a collaborative approach, by definition. It was launched by the State Department three years ago, it’s hosted by the Aspen Institute, and its members include businesses of all sizes – nonprofit organizations and individuals. And it’s bringing to the world’s attention a set of issues that have really been neglected for far too long.

In my career in public life, which is much of my life, I have attended a lot of conferences, a lot of meetings – I had a lot of meetings on economic development. And usually the emphasis is on trade, agriculture, urbanization, or the new information technologies. That’s where you see most of the energy going. But I don’t remember any that I have been to that has focused as today’s forum has focused on the challenges that are faced by artisans. Yet the creative arts are a major employer in many parts of the developing world and an especially significant employer of women. The artisan sector is also a growing industry with exports. And it is rapidly spiraling upwards from nations that have a per-capita income that is well below the international average. That means that if you’re looking for innovative ways to help developing countries in order to flourish, artisans are a terrific place to begin.

According to research from the Inter-American Development Bank, if the creative economy, globally, were a country, it would already be equal to the fourth-largest economy in the world with the fourth-largest workforce and rank ninth in the value of exports. That’s just the beginning. One advantage of the Information Age is the ability to be able to potentially increase markets for products that have traditionally been sold just locally, or out of a kiosk, or you hit the tourists when they’re coming in, and that’s the limit. Not anymore. With the internet, we have a vast opportunity to show people how they can reach out across the planet. And in fact, it’s our imperative as a result to try to make sure we do that, to take talented producers and be able to give them the ability to be able to reach out and connect to other people.

And as you’ve been discussing throughout the day, that doesn’t just happen on its own. It takes planning, it takes people who’ve prepared to do some small level of investment, help put themselves on the line to create that connectivity. It takes a high degree of business know-how, some element of marketing and targeting skill. It requires people who care both about the financial end of things and also about the craftsmanship and the discipline that lends authenticity to the artwork that people want to sell.

So this matters because consumers today care more and more about where something comes from, who produced it, under what conditions did they produce it. And that’s good, and we urge that. As a – as the chairman of our intergovernmental efforts with respect to human trafficking, nothing could be more important, obviously, than to shed light and have transparency on how things are produced and where they’re coming from. People also care about quality. So there’s a big difference between a shirt that’s knocked off in a factory and the kind of clothes that are woven by hand and can be worn for a lifetime.

And although it’s still in its infancy, this Alliance for Artisan Enterprise has literally already become an important platform for identifying and breaking down barriers to small-scale artisans in countries all across the developing world.

And as one means of drawing attention to this effort, the alliance is hosting a multimedia competition that has allowed artisans to go out and strut their stuff. The awards are going to be announced later this afternoon – I’m sorry I won’t be able to be here for that – but I want to congratulate every single one of you for your interest in that, for your willingness to take part. More than 150 entries were received representing artisans from 42 different countries. And I was struck by the variety of the projects and the passion that all of them showed, and not just in terms of artistic talent, but also in their dedication to expanding opportunity for people in communities that are not always thought of as having any potential of being included when you start talking about the global economy.

For example, one finalist that drew my attention was Sasa Designs by the Deaf. In the video that they produced, a young man says in sign language, “I am deaf but I am not quiet.” And a woman adds, “I am deaf but I can make beautiful things.” As a member of the Senate for some 28 years, I had the privilege of representing the island of Martha’s Vineyard, which many people are not aware of but at one time in its history – in its very early history – it had a larger percentage of deaf persons than anywhere else. And the Vineyard developed its own sign language, a means of communication that was used by deaf and non-deaf alike.

Now, by harnessing the artistic skills of the deaf in Kenya and elsewhere in Africa, Sasa Designs is reinforcing a similar sense of inclusion while also preserving timeless traditions and helping people who might otherwise be marginalized to be able to put food on the table for their families.

That’s just one company. One display today in the multimedia competition, among your speakers, an incredible array of talent and commitment is seen in Reema Nanavaty’s success in involving women in a host of economic development activities in rural India. And it can be seen in the “Taking Steps Initiative,” which has used embroidery to bring bereaved Israeli and Palestinian women together. It can be seen in the South Sudan’s Roots Project Center which combines traditional beading with story-telling as a way to earn income and bridge ethnic differences. And it can be seen Angel Chang’s fabrics, which are made the old-fashioned way – naturally organic, chemically-free, non-polluting, and dyed – hand-dyed by local craftswomen, not even requiring the use of electricity – and this in contrast to industrial textile industry, which is one of the largest sources of pollution on Earth.

So the list goes on – it really does, on and on – from traditional Macedonian rugs, to specially-crafted South African dolls, to Guatemalan basket-weaving, to Afghan calligraphy, to the best wool and clothing in the world from Bolivia. The opportunities and the energy are literally all around us, folks, and they’re gaining strength. And what’s important is as it gains this economic foothold, it’s also gaining a kind of spiritual foothold, impressing people, having an impact, and conditioning people’s thoughts about what they ought to be buying or what kinds of things are really worth valuing.

So I hope that everybody’s going to leave here today excited by what you’ve seen, but equally importantly, inspired to do a lot more.

The Alliance for Artisan Enterprise has an extraordinary amount going for it. It’s got all of you, it’s got artisans around the world that, as I said, would equal the fourth largest economy in the world if you put them all together. Nobody should ignore that. There is a real hunger, I am convinced, in this fast-paced, technologically driven, constant communicative world to also stay in touch with traditional ways of doing things so that we don’t forget what our grandparents learned from their grandparents.

There is a hunger to remain connected to our roots and to value products that are crafted with really unique skills and with attention to detail. There’s an honesty and authenticity in those products that is hard to find in a lot of other places.

There’s a hunger to make a difference and to help people who deserve help so that they, in turn, can take advantage of new opportunities and thereby contribute to a more diverse, sustainable, and equitable global economy.

And finally, I hope all of us will agree there will always be a hunger for beauty. Those who can create that beauty – whether with their hands or their voices or their minds – they will always find a warm welcome somewhere, and that is, I’m glad to say, more than true here at the United States State Department in September of 2015. We value it, we want it to thrive and flourish, and we want everybody to enjoy it, and I am convinced this effort of artisans is a way to do that.

Thank you all and God bless. Thank you. Thank you. Thank you very much. (Applause.)


Innovative Financing Supports Artisan Jewelry Production in Kenya

                                                                                               By: Zannah Herridge-Meyer

At the age of 8, Nancy lost her hearing. She struggled to keep up in regular school and it took many years before shew was able to access resources tailored towards the Deaf. Despite the communication challenges she has faced throughout her life growing up in Kenya, she has been able to excel. Three years ago, she trained to make jewelry and now is the Lead Artisan for a group of deaf women who make jewelry in Nairobi, Kenya called Sasa Designs by the Deaf.

Nancy is one of the first recipients of a Kiva loan made possible by a new partnership formed between Kiva and the Alliance for Artisan Enterprise. The artisan sector is the second largest employer in the developing world after agriculture yet it is rarely seen as a driver of economic development[i]. A key barrier to growth, stability, and scale for artisan businesses is a lack of access to appropriate financing[ii]. As Alliance Board Member, Jacqueline Novogratz recently tweeted, “the artisan sector is the next frontier in impact investing.” As a member-based organization, the Alliance’s mission is to elevate the power and potential of the artisan sector by addressing systemic barriers to artisan business growth, of which access to capital is a key challenge. Sasa Designs by the Deaf successfully paid back the entire $8,000 loan in April, showing the value of access to these funds.

Launched in Fall 2011, with the goal of providing employment and fair wages to Deaf artisans in Kenya, Sasa Designs employs more than 40 artisans. The estimated unemployment rate among the Deaf in Kenya is 85%, partially due to stigma and also the challenge that employers have in communication. This major gap of access to opportunities has driven the work of Sasa Designs to build a non-profit that trains, educates, and supports Deaf artisans to make jewelry.

We had a chance to speak with Megan Macdonald, the CEO of Sasa Designs about the recent success with the loan program. Megan began working with Sasa Designs by the Deaf while living in Kenya for her masters research on artisan production and supply chains. Since she started, Megan has worked relentlessly to connect the social enterprise’s wares to the global market.  

Sasa Designs has been steadily growing however, when Sasa received an order of 2,000 pieces from Noon Day Collection, a fair trade organization, they needed extra capital in order to ramp up production to fulfill their largest order to date This dilemma led them to seek a capital investment in order to increase their production and ensure they kept the timeline and quality required for this opportunity.

A common challenge in artisan businesses is the ability to produce large orders such as these, allow smaller organizations such as Sasa to prove their capacity as wholesalers, progressing to a larger level of production. However, without the capital to purchase materials and train new artisans, such orders cannot be filled and the organizations growth is stagnated. It is often an issue of cash flow for smaller groups who want larger orders but do not have the means. Megan sees the financial product to be an important step in bridging this gap, “this loan allowed us to purchase the materials and hire and train more people to increase our capacity, meaning larger economic impact for the artisans.”

The Kiva financial product, which is specifically tailored towards the artisan sector “brings the sector to the large scale” says Megan, CEO of Sasa Designs by the Deaf.  In addition to the production, there is a responsibility on many ends of the supply chain to create responsible, transparent, and ethical sourcing. Noon Day Collection has ordered from Sasa Designs four different times, and their continued support means that the increased capacity that Sasa created from the loan can be sustained in the future.

Megan has been an active member of the Alliance and sees the important value of bringing groups together working in the artisan sector to share, collaborate, address and overcome the barriers faced by many organizations. She expressed that “it is essential to not have these barriers hold us back” and to create innovative solutions to these challenges. As for now, Sasa Designs is busy working on future collections and continuing to empower deaf women artisans in Kenya. They continue to mix traditional with modern design in order to broaden the market and support the artisans. Their long term goal is to replicate the successful model of Sasa Designs globally, to provide economic opportunities for Deaf artisans across the globe.

Nancy at the Akili Dada social impact summit

Nancy at the Akili Dada social impact summit


Learn more about Sasa Designs by the Deaf and check out their beautiful products here

To learn more about please check out the work of our members

[i] USAID, 2006: “Global Market Assessment for Handicrafts

[ii] Alliance Member Impact Survey 2013

Alliance Value Chain Pilot Project: Rwanda

The Alliance for Artisan Enterprise and the U.S. Department of State’s Secretary’s Office of Global Women’s Issues designed an artisan value chain toolkit that was recently piloted in the Philippines and Rwanda. Artisan value chains in the Philippines and Rwanda offer unique challenges and opportunities as well as striking comparisons to the breakdowns that artisan enterprises experience along the supply chain. In each country, artisan enterprises present a promising mechanism for inclusive economic development, bringing capital and resources to women in the informal sector, and improving livelihoods in economically depressed areas.

Peggy Clark, and Katie Drasser of the Alliance for Artisan Enterprise team traveled to Rwanda with Natika Washington and Chase Ballinger from the Secretary’s Office of Global Women’s Issues to pilot the artisan value chain toolkit. Created by the Department of State and the Alliance for Artisan Enterprise, the toolkit has two objectives, 1) to provide stakeholders the ability to visually see and understand all components of the value chain/supply chain, and 2) to create a common language to all stakeholders across the value chain to work in a more cohesive manner.  

The questions explored while piloting the toolkit were:

  1. Can the toolkit be utilized with minimal training and intervention?

  2. How might the toolkit be leveraged in conjunction with artisan enterprise’s existing value chain analysis frameworks?

  3. Does the toolkit help create a common language from which domain specific patterns can be extrapolated?

When given larger sample sets, could business model archetypes be derived from data revealed from the toolkit? 

Day One 

On the first day of the trip to Rwanda, Natika, Chase, Peggy and Katie held a workshop on the artisan value chain toolkit with two different artisan enterprises and one artisan support group which were, Gahaya Links, Indego Africa, and Women for Women International[CNB1] .

During the workshop, we witnessed the team members from all three groups working in collaboration to map out value chains for their respective enterprises and organizations. After completing this part of the exercise, we facilitated a discussion surrounding the empathy map and strengths, weaknesses, opportunities and threats (SWOT) analysis components of the exercise.  At the end participants came up with innovations and interventions for each area of the value chain toolkit (designing, sourcing, making and selling).  To conclude the workshop we asked for feedback from the participants. The participant feedback from the workshop will be used to improve the artisan value chain toolkit.

Peggy Clark and Katie Drasser from the Aspen Institute assisting members of Indego Africa map their value chain

Peggy Clark and Katie Drasser from the Aspen Institute assisting members of Indego Africa map their value chain

  Artisan Value Chain Toolkit

  Artisan Value Chain Toolkit

Women for Women International discussing the sourcing component of the toolkit

Women for Women International discussing the sourcing component of the toolkit

Gahaya Links discussing the design component of the toolkit

Gahaya Links discussing the design component of the toolkit

We received positive feedback from the participants on the exercise.  We found that the toolkit proved especially useful for the groups who work with women artisan cooperatives.  The participants noted that it was useful to think about long-term strategic planning and partnerships to address the chokepoints along the value chain.  The toolkit also helped the groups think about better ways to market their products and use social media.

Overall, the participants enjoyed using the toolkit. We observed a lot of laughs and smiles. Indego Africa said that the toolkit confirmed that teamwork, innovation, trust, and security among colleagues are all critical components. Indego Africa also said that they planned to adopt the toolkit in their women’s leadership training (specifically the empathy chart component) to get a better understanding of what the artisans are feeling, thinking, and saying about their work. Gahaya Links said that they planned to sit down with their core team to re-evaluate their business operations; they said the toolkit will help them be better strategic thinkers and planners about how to achieve their vision. 

Prior to the workshop, we also met with the chair and executive board members of the Chamber of Craft, Art and Artisans (CCAA).  The purpose of this meeting was to get a macro understanding of the Rwandan government’s investment in the artisan sector. The Chamber supports over 20 associations across a diverse range of sectors (basketry, woodwork, film, etc.). In this meeting we discussed the challenges that artisans face in getting their products to market in Rwanda and globally.  CCAA also briefed the group on the direct support that the Chamber provides to their associations, including training and opportunities to exhibit their products.

Members of the Chamber of Craft, Art and Artisans, Israel Moya from U.S. Embassy Kigali, Chase Ballinger from the State Department, and Peggy Clark and Katie Drasser from the Aspen Institute

Members of the Chamber of Craft, Art and Artisans, Israel Moya from U.S. Embassy Kigali, Chase Ballinger from the State Department, and Peggy Clark and Katie Drasser from the Aspen Institute

Day Two

On day two of the trip, we headed out to Bugersera for site visit to one of Indigo Africa’s rural Women Artisan Cooperatives.  We were greeted by a happy group of women basket weavers, observed, and learned about the work they were producing for suppliers such as J-Crew. After giving them an overview of the AAE’s purpose and the work we are doing globally, Executive Director of AAE Peggy Clark, passed around a scarf she was wearing which was made by women artisans in South Asia. The Bugesera women basket weavers all seemed impressed by the quality and workmanship of this garment.

Basket weavers at the Indego Africa’s Women Artisan Cooperative

Basket weavers at the Indego Africa’s Women Artisan Cooperative

 A weaver demonstrates the initial phase of creating a basket

 A weaver demonstrates the initial phase of creating a basket

We also visited Indego Africa’s Leadership Academy to observe one of the training sessions they provide to women artisans.  The Academy provides business skills and entrepreneurship training for all of Indego Africa’s artisans.  One artisan who we met with said that she has learned about pricing through the Academy (e.g. fixed cost vs. variable cost).  Another woman said that the auditing and regulatory training was most beneficial for her business. Other women in the program said that the training help build their self-confidence and leadership skills.

Indego Africa Leadership Academy

Indego Africa Leadership Academy

Next, we met with Joy and Janet Ndungutse of Gahaya Links at their new women’s training center in Gatsata.  We discussed the way in which the women producing artisan goods for Gahaya Links can take their products and businesses to the next level.  Joy raised that there must be more global advocacy for the artisan sector as well as more direct support services for artisans.

Day Three

On the final day of the trip Natika and Chase visited the Kayonza cooperative (an hour from Kigali), which is supported by Women for Women International. We met with basket makers as well women artisans undergoing a training program to become basket makers. One cooperative leader for the women cooperatives that Women for Women International works with was proud to report that the hard work and determination of the women artisans finally paid off, as she recently secured a new contract with a local buyer who agreed to source products from their cooperative.

Director of Global Programs, Natika Washington visits with a weaver at the Kayonza cooperative

Director of Global Programs, Natika Washington visits with a weaver at the Kayonza cooperative

Before leaving Rwanda, we met Damien Mugabo, Director General of the Rwanda Cooperative Agency (RCA). Director General Mugabo discussed the current work of RCA, their immediate needs for strategic partnership with entities such as AAE to provide training opportunities for artisans across the country, and the Rwandan government’s commitment to the growth of the artisan sector especially for women artisans across the country. We agreed that there are many areas for collaboration between the Alliance for Artisan Enterprise and the RCA and discussed steps forward for potential collaboration.

 So far the Alliance team has tested this toolkit in two countries with the hopes of expanding to three more over the next year. Next steps for this pilot project are to share the toolkit with Alliance members, publish it online for non-artisan members, and share it with U.S. Missions around the world.  

Director of Global Programs, Natika Washington purchasing baskets made by Bugersera women basket weavers.

Director of Global Programs, Natika Washington purchasing baskets made by Bugersera women basket weavers.

Basket weavers at the Kayonza cooperative

Basket weavers at the Kayonza cooperative

Artisans at the Kayonza cooperative

Artisans at the Kayonza cooperative

 

 

 

The Alliance is Named One of the State Departments Top Partnerships!

Department of State Releases 2015 State of Global Partnerships Report

The U.S. Department of State releases today the 2015 State of Global Partnerships Report, which highlights the most innovative and scalable public-private partnerships from around the Department. The release is part of the annual Global Partnerships Week celebration occurring from March 9-15.

The Secretary’s Office of Global Partnerships released the inaugural State of Global Partnerships report last year. This year’s report features profiles of twelve exemplary partnerships from different offices in the State Department and at embassies, as well as an updated entry on the Veterans Innovation Partnership (VIP) and two new partnerships to watch.

The featured partnerships include:

  • 100,000 Strong in the Americas
  • Coca-Cola MENA Scholars Partnership
  • Overseas Security Advisory Council (OSAC)
  • Fishackathon
  • Diplomatic Culinary Partnership
  • YALI Crowdfunding Campaign Initiative
  • Climate and Clean Air Coalition (CCAC) Oil and Gas Methane Partnership
  • Ambassador’s Entrepreneurial Challenge
  • Alliance for Artisan Enterprise
  • Alliance for Affordable Internet (A4AI)
  • DC Greening Embassies Forum
  • Global Fund to Fight AIDS, TB, and Malaria
  • Veterans Innovation Partnership
  • DREAMS: Adolescent Girls and Young Women’s Initiative
  • Vietnam Road Safety Program

The 2015 report can be found here. The 2014 report can be found here.

Follow Global Partnerships Week on social media with #GPW2015 and @GPatState.

Alliance Clinton Global Initiative

New York City, NY, September 23, 2014 –– The Alliance for Artisan Enterprise announced a Clinton Global Initiative (CGI) Commitment to Action to create innovative financing for the artisan sector at the 10th CGI Annual Meeting. In partnership with the United States Department of State, Kiva and artisan businesses in over 20 countries this CGI Commitment to Action will fund new financial products that will unlock much needed financing for artisan businesses around the world. The financing will be distributed through loans from Kiva. More details on the program is available here.

Alliance @ Santa Fe 2014 Summary Report

Alliance @ Santa Fe 2014 Summary Report

The Alliance for Artisan Enterprise’s annual conference in Santa Fe this July was our second since our founding in November 2012 and it was a great pleasure to see our collective progress. Despite a sudden change in venue from Morningstar Ranch to La Posada de Santa Fe Hotel due to inclement weather, the Alliance Team was eager to welcome the Alliance and kick off our biggest event of the year. 

UNHCR: Refugee Artisans in Lebanon

Ms. Shalini Mehan, Livelihoods Consultant from our new member the United Nations High Commissioner for Refugees (UNHCR), recently came down to D.C. and presented the UNHCR innovative project which  focus on the intersection of arts and peace building, specifically with Syrian refugees in Lebanon. Ms. Mehan’s passion for this field comes from her experience of living and working in the Middle East, where she started her own design project in Jordan for a couple years and worked with artisans in Damascus. She met most of these artisans simply by going to the villages and visiting them.

Made in the USA: Potter David Norton

Made in the USA: Potter David Norton

The Alliance and its members work in over 110 countries of the world, but that doesn't mean the United States isn't one of them. The Alliance has been looking for opportunities to connect with artisans in the states, to understand their challenges and share their stories. I was of course thrilled when I found a Washington Post article featuring David Norton, a self-taught potter from Virginia. Read below to hear more of his story. 

Alliance in the Field: Taiwan

Alliance in the Field: Taiwan

The Alliance for Artisan Enterprise was invited by the U.S. Department of Commerce to speak at the Asia-Pacific Economic Cooperation (APEC) Workshop on Integrating SMEs into Global Supply Chains in Taichung, Chinese Taipei. The artisan sector is an important driver of economic growth, especially in the APEC region, and we were delighted to be part of the dialogue on how to integrate small and medium artisan enterprises into global value chains.

Alliance Salon Series - Common Threads: Social justice and the runway

Alliance Salon Series - Common Threads: Social justice and the runway

On February 3rd, in a private room filled with blue light glowing from the walls of the Hotel Mondrian Soho, the murmur of an excited crowd came to stillness. The hush signified the opening of the evening’s panel discussion, “Common Threads: Social Justice & the Runway”, moderated by Alliance Director, Peggy Clark with featured speakers Paul Van Zyl, Co-Founder and CEO of Maiyet and Rebecca van Bergen, Founder and Executive Director of nest

Year One: Celebrating Our 1st Anniversary

Year One: Celebrating Our 1st Anniversary

To celebrate our very first anniversary, we've created a video to showcase the progress we've made and the aspirations that lie ahead. Alliance fellow Henna Wang had the opportunity to speak with Natika Washington, Director of the Office of Global Women's Issues at the US Department of State, to hear about the founding of the Alliance and its purpose in empowering women artisans of the world.